Shark Girl’s Birthday Party

So we did a little experiment with a program pretty unlike anything we’d tried before, and it turned out pretty well. Not perfect, but pretty darn good.

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We had a birthday party for Shark Girl.

DJ! Temporary tattoos! Sparkly birthday cupcakes!

Definitely had a couple of discoveries along the way (the sculpture garden is DARK at night), but also had a pretty good time with some happy participants, and we’re working on what we might do in the future to celebrate the Public Art Initiative.

And since doing things halfway is for wimps we rolled right into a brand new event on Monday– yoga on the portico:

img_1416We started things off with a tour of the collection, focusing on the theme of balance. It was a great group of participants (even if 61 is a bigger group than I’m used to touring), and the class that followed was fantastic.

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And the week kept right on rolling along with a fantastic visit from Interpretation peeps from Cleveland. I miss you guys! So good to see you!

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CMA + AK with Jim Hodges

 

 

 

The Jar of Awesomeness, Amplified

Been a little slow on the blogging side lately. My excuse is pretty lame, too– museum life has been crazypants busy the last few months and blogging was backburnered. Writing more was one of my new year’s resolutions, but, well, it’s the end of the month, sooooo….

In addition to end of year/beginning of year usual madness, we have some big, busy projects in process, all of which I’m super excited about, but also wishing that perhaps they hadn’t all ended up scheduled at exactly the same time. (Says everyone, always)

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One new development that I am really excited about is that I am co-chairing the Program Committee for MCN2016. First of all, this co-chair gig means I get to work with two amazing women: Suse Cairns and Trish Oxford. Not only that, I get to give back to the MCN community, which has been my go-to museum world touchstone, support, and inspiration since the first time I attended in 2011. And, and, AND, because I’ve never been one for half measures, I’m also co-chairing the new MCN SIG on the block— the Educational and Interpretive Media SIG (Special Interest Group), with yet another amazing woman, Emily Fry. Stay tuned for more to come on that front, and get ready to get inspired in New Orleans in November!

After coming back from some holiday time away things got pretty hectic pretty quickly. But right in the midst of it I received a wonderful moment of inspiration that made me feel both proud and grateful. Early last year I posted about the Jar of Awesomeness. At the end of 2015 we did open the jar and read out the notes that were in there, and it was something I really enjoyed.

In August I got to go to Museum Camp, which was fantastic. The whole group worked on a large project together– the creation of a Space Deck, a deck of cards designed to help the user or player create space for themselves and others. A couple of weeks ago my very own deck arrived in the mail.

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Hooray! It’s kind of amazing how incredibly satisfying it is to have this tangible evidence of one’s efforts, and it has been acting as something of a talisman, standing on my desk and reminding me of the lessons from camp.

On an even more personal note, in opening the box I was honored to see a couple of the ideas that I’d contributed made it into the final deck. One of which was the Jar of Awesomeness.

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Even better, I saw a notification from the Museum Camp facebook group that one of my fellow campers posted a picture of the Space Deck in use. When I went to look at the picture I found a colorfully decorated jar marked with the title Jar of Awesomeness.

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Spotted in the wild! Kind of can’t beat that.

Ever wondered what would happen if you locked 100 museum nerds in a museum for three days?

At the start of August I got to go to camp. I do a lot of camping, but this was the first time I’d been to camp since 1984.There were fewer lanyards, friendship bracelets, and god’s eyes crafted than the last time I went to camp, but it was still chock full of fun stuff. Listen, y’all– I got to go to Museum Camp

While there were most definitely fun and games (literally and figuratively),

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there was also a lot of thinking about serious topics (sometimes in ways that were a lot more fun than thinking about serious topics usually turns out).

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The theme for camp was spacemaking:

“You can make space by empowering others. You can make space by inviting non-traditional partners into your work. You can make space by giving yourself permission or time or a paintbrush. Making space gives us a safe place to feel the fear and courage necessary for us to grow as individuals and organizations.”

For three days about 100 people- museum professionals, community members, activists, students, staff, and interns all but took over the Santa Cruz Museum of Art and History. (Elise Granata has a great post about the the process of co-creating the museum as a safe space for the camp here).

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Each day was broken into a wide variety of tasks, discussions, and experiences. We spent much of the three days working in teams,

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Team Ritual #7– Simon, me, and Vania

with work sessions interspersed between pecha kucha style spark talks and launchpad workshops.

I *loved* the workshops, particularly the first one I got to take part in: “An Introduction to Science Fiction Prototyping” led by Gregory Stock. It was a great way to put into action the idea of making space– for creativity, for learning, for fun, for yourself. Actively thinking about ways to create that space for ourselves in the work we do was a built into many of the sessions and team tasks throughout the weekend, and was a good, steady reminder to think about the thing we often put on the backburner: ourselves.

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For many of us, this eventually manifests itself in the form of burnout, and thinking about ways to unplug the burnout cycle was a truly fruitful process. If burnout is something you or someone in your life is grappling with, camper (and all around awesome person) Sara Devine talks about her working-through-burnout lessons from the weekend here. (You should go watch it).

I really appreciated the back and forth between the working sessions and the spark talks, which felt like touchstones, reminding me of the big picture reasons that had brought me to Museum Camp to begin with. There were some amazing, inspiring stories in these talks, and some incredible bravery from the speakers, from the courage to tell a secret to the courage to see an opportunity in a vacant lot and act on it. There were two that really struck a chord that resonated with me all through the weekend, and have been continuing to ring ever since. One was Beck Tench‘s talk about swimming with sharks, and how we often find that the shark we are swimming with is ourselves.

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Slide from Beck Tench’s spark talk

The other was Porchia Moore‘s talk about making space for everyone. She cited the recently released Mellon Foundation report on diversity in American art museums. Or rather, on the lack of diversity in many departments in American museums.

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It is space that must be made– in our programming, in our interactions, in our partnering, in our hiring, in our recruiting– and it is on all of us in the field to make that space happen. I saw her give a great Ignite talk at MCN last year that will be the most thought-provoking six minutes of your day:

From these two talks I felt like I walked away with as many questions as I did answers. (And perhaps that’s as it should be. I mean, who has all the answers?) Here are some of the ones that I wrote down at some point over the course of camp:

  • For whom are we, as museums, as institutions, making space? For whom, as staff members, colleagues, coworkers, and managers, are we making space?
  • How can we help and support visitors to make space for themselves in our institutions?
  • How can we create situations or spaces in which visitors can empower themselves?
  • How can we support each other (colleagues, coworkers, supervisors, reports, volunteers, visitors) in their space making?

Big questions. Important questions. I’ve got a few ideas. I’d love to hear yours.

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The setting for this adventure was okay….

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if you’re into that natural beauty stuff….

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TOASTED FLUFF TOPPING. Just sayin'.

TOASTED FLUFF TOPPING. Just sayin’.

Also: tacos. And ice cream. And the very best bus station noodles ever consumed. And lots and lots of laughing with awesome people.

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A huge thank you to all of the amazing people who made this such a thought provoking, affecting experience. Nina Simon and Beck Tench for creating the space for this experience; all of the staff, interns, and volunteers at the MAH for being super awesome and welcoming; the fantastic co-creators of Team Ritual; and all of my fellow campers for being such a great group of people to spend three intense days with.

Senufo, Shiva, and the Jar of Awesomeness

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Shiva probably never had to dance in the snow in India. (This particular bronze has been in Cleveland since the 1930s, so perhaps he has acclimated?) Dancing, driving, walking, and sliding through the snow is a pretty standard part of how things roll in wintertime Cleveland. Usually. (It’s been a light winter for snow this year, but we’ve been making up for lost time in the last couple of weeks.)

We’ve put the finishing touches on the Senufo: Art and Identity in West Africa multimedia tour, which has been exciting. The app is now in the iTunes store (which is even more exciting– did I mention that it’s free? It’s free!), and there’s lots of work is going on in the exhibition space this week.

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Today I had the rare moment of having lots of things that need doing, but none that are due in the next 24 hours. Huzzah! It also gave me the opportunity to open up a folder of raw pieces for some ArtLens segments that I’ve been hoping to get to for a Very. Very. Long. Time. Double Huzzah! (Also? some of these raw bits are reeeeally interesting, and I think will lead to some great final outputs). *And* one of those bits-of-flarn projects that has been hanging out for months and refusing to get done basically got done this morning. Triple Huzzah!

We cover a lot of ground in our department. (I mean a *lot* of ground).

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We do heaps of programs and videos and lots and lots and lots of app content and gallery interpretation and interactives and things with docents and many, many things. It is exciting to have such  varied work, and I feel really fortunate to be able to do interesting, meaningful work, and to be a part of a team of talented, fantastic people. Toward the end of 2014 I was talking with someone that I don’t get a chance to talk with all that often and they asked how my year had been. And I said, “oh it was great, we did great things, and worked on great stuff, and had great projects.” To which he said, “Oh, yeah? Like what?”  And I said, “………..”

Because in that moment I couldn’t really think of an example of the great things we’d been doing throughout a great year. Of course there were challenges along the way (definition of every year), but there were also great things that we accomplished in 2014 and I didn’t have any of them on the tip of my tongue.

I think a big part of it is that it is sometimes hard to find a moment to step back, even briefly, at the end of a project and to really think about what worked, what didn’t, what you’d do differently, what you would like to do again. In some ways the nature of how the work our department works: we are always working on multiple projects simultaneously. And many of our projects are ongoing (we’re always creating something for ArtLens, so it’s never really done). The end of one project doesn’t necessarily lead to a natural moment of reflection.* More often, it leads to freeing up the time you were putting into project A to let you put it toward project B. In the end it sometimes makes it difficult to delineate what was accomplished in a given period of time (like, you know, last year). Which is ridiculous and needs fixing. If not for 2014, then for 2015.

To wit, The Jar of Awesomeness:

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The plan? To fill the jar with all things awesome, large and small as a reminder to ourselves (and me in particular!) of all of the great things that happen, the moments of good fortune, and the hard-earned achievements that come from the dedication of the team. The bottom of the jar is already covered with more to come.

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* Which is why we schedule post project discussions after big projects.

Planning and Projects

We’ve had an incredibly busy couple of years in our department (and in the institution), and it is just recently that the manic pace has started to slow a bit. There are still a lot of balls in the air, but we seem to be past the point where we regularly forget what day of the week it is (or on at least a handful of occasions, what month it is). So we’re taking the moment to, in the immortal words of Vanilla Ice, stop, collaborate, and listen.

We thought about making a music video, but opted for planning with post-it notes instead.

BC and the planning board

We had an incredibly productive discussion, and I’m really excited to see what directions the process takes us. I work with amazingly creative, perceptive, empathetic people, and I see fantastic things on the horizon. Including a panoply of new and interesting projects (more on that soon).